Showing posts with label Grail. Show all posts
Showing posts with label Grail. Show all posts

Friday, October 30, 2020

If An Angel Came To Tea

We had an adult Sunday school class recently that used a Bible Project video about the Elohim as its starting point.  One theme which struck me was that they do not view the events of this world the way that we do.  It likely struck me mostly because I wrote a song on that theme over forty-five years ago when I was in college.  I referenced it ten years ago here, and reprint that below. 

It also fits with my recent thoughts on the spiritual dangers of popular culture, though here the idea is more that such things are extraneous or a distraction.  The song, and some others from the Grail opera, are still up over at Myspace Music, which still exists.  I either never had an account or more likely lost my sign in information, but it's right there on the list. I don't sing or listen to my own music very much.

*****

Another from the Grail Opera. This song is Sir Gawain's, on the eve of his abandoning the quest. In the original design, the quest is described from four points of view, in descending order of spiritual rightness: Galahad, who (along with Sir Bors and Sir Percivale) achieves the Grail, takes communion from it administered by a Christ-figure; Lancelot, who is granted to see the Grail but not partake; Gawain, a plain and decent man with no especial Christian intensity; and Mordred, the villain who holds the quest in contempt and seeks Arthur's throne for his own. Very Once and Future King in its delineation.

I was more a seeker than a believer at the time I wrote this, but the writing of the opera was pivotal in my conversion. I think I might now switch Lancelot and Gawain in the ranking of spiritual fitness. But Galahad remains the one almost unearthly pure and devoted, his faith a rock against which others might dash themselves to destruction.

Gawain explains his decision to the young Percivale, who has grown close to.

Friend and band member Bill Whitman popped in on the night of recording to improvise a second guitar part. I believe he still makes a living in music somewhere near Memphis.

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The rumor's around that Sir Galahad
Is a prig, and not quite human
In his actions, reactions.
In answer to this I feel that I had
Better point out a mistake
The knights are showing, unknowing.

You expect him to reply like you
And comment that "The sky is blue
Today." I don't know why we do
For he's just not our kind.

If An Angel Came To Tea would you impress him
With the newest tune that's sung across the land?
Would you tell the local scandals to distress him?
No you couldn't, for he wouldn't understand.

Now Sir Galahad's an angel, or close to it;
The most perfect man in all of Arthur's land.
You demand he keep the common touch all through it
For you won't believe he's not a common man.


The Grail is for saints, I've said it before
And there's only three or four of us
That knew it - can do it.
So I'm going home I seek it no more
And may God forgive my lack
Of resolution, contribution.

It's a hard thing to admit you've lost,
Could not afford the final cost
To pay, and now by winter's frost
I'll be safely in my home.

I have followed my best hopes, but hope is dying.
It was futile, I can see that clearly now.
But I don't begrudge the time I spent in trying,
For just trying was impossible somehow.

So farewell to you, Sir Percy, good luck to you.
I have loved you as I would have loved a son.
I shall your give your best regards to those that knew you,
For your old life dies, your new life has begun.

For I don't believe
You'll be unchanged
And most men can't perceive
An angel - here.

Thursday, January 20, 2011

Fifth And Last

There were many more songs in the Grail Opera, but this is the last to share here. Not the best of the lot, but I love the interweaving of the two parts for the last third of the song. I should have switched Bill Whitman's voice and mine for the two parts. 35 years too late for that now.

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Monday, January 17, 2011

Not A Man At All

This one is a bit more bawdy, and has more of an 18th C than 1960's feel. That isn't within a millennium of the actual Arthur, and is still three centuries away from Le Morte d'Arthur, but it sounds a bit more properly old.

The singer is Mordred, bastard son of King Arthur who is conniving for his throne. I imagine this tavern-style, getting up on a table to make fun of Galahad and all those seeking the Grail. I'm not including the lyrics, as I think it will spoil the effect.

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Thursday, January 13, 2011

Dear Guenivere

This is Tracy's favorite. Lancelot, after returning from the quest, realises he must sever his relationship with Queen Guenivere. I really thought rhyming assiduity with promiscuity was the coolest thing imaginable at the time. In a show tune, maybe. Not in a folk song.

Kind of a Chad and Jeremy sound to it.

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It's over, dear Guenivere
Please don't carry on.
Sir Gant and Sir Bedivere
Would think your love wrong.
For your love's assiduity
Denotes promiscuity
To the men of Sir Mordred
And we cannot afford
To be be seen without Arthur, your Lord.

It's for this same reason that
I come here today.
I left in a season that
Turns all things it's way.
But I feel a bit older now,
The wind's blowing colder now,
And I'm trying to earn back
My everlasting life,
And cannot love my own best friend's wife.

We know it's a danger to
Be seen in this way.
I must be a stranger to
Your love from this day.
So our love is in idleness
As long as my title is
The Right Hand of Arthur.
We can't corrupt the throne
While this lad wants the crown for his own.

Thursday, January 06, 2011

Cold Winter's Knight

I don't dare delete the Myspace ad, not knowing what else it will take with it. The part about other artists like David Wyman amuses me.

I learned from Ben not to ask lade my request to listen with apologies, so I restrain myself.

The song is one of few saved from the wreckage of my senior project in 1974-75, a folk opera on the Arthurian legend. The recording dates from that time - in fact I never listened to it again after the night it was completed until about two years ago. I have played and sung a few of the pieces on occasion over the years. The song is Lancelot's, after others have achieved the Grail and been translated to heaven, but he has been left behind, unworthy. You can see that theologically, Lance still doesn't get it, quite.

There will be four further songs posted.

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Hear, I have failed my task.
Please, is it too much to ask?
Well I am looking for a placement here
Do you have and extra dragon here?
Do you have a place where I can stay?

Ch: If I could just save a lady fair
Turn on the dream and leave it there.
Pretend we're alone and the fire is bright
On a cold winter's knight.

Sir, I had seen the Grail
So tell me how could I fail?
Well I could could get some wood and nail away,
Build myself a boat and sail away.
Travel to a land where I could stay.

I thought I could rise again;
Lean on the grace of friends.
But I can see how quickly you forgot
I was the best knight but now I'm not,
Now I'm just an empty coat of mail.

I thought I could return
Bask in the grace I earned
But now I know that's not what God has planned.
One thing of His will I understand...


Ch: If I could just save a lady fair
Turn on the dream and leave it there.
Pretend we're alone and the fire is bright
I'm a Cold Winter's Knight.