History Becomes Lost, But is Found Again by the Beatles

Orinially December 2005.  I have been particularly proud of this observation about the phrase "black and white" and what people draw from it without noticing, Yet I haven't been able to convince many people that it is all that special. 

 

It was a moment of great irony yesterday listening to Paul McCartney and his interviewer claim that the world was black and white in 1963, but had become technicolor by 1968, and he had not only witnessed the change but been part of its cause!  

My humor about the movement of people in old movies and their skin tones in still pictures may fade, as the Peter Jacksons of the world ("They Shall Not Grow Old") clean up the motion and the color and our grandfathers and grandmothers regain some of their lost reality. But I think my observations still largely hold - certainly for those of us who grew up with that photography documenting 20th C history and formed our opinions then. 

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Black & White Photography Creates The Illusion Of Black & White Morality

 

The years 1880-1960 are the gray, colorless years, lost to history. Events happened, but they were all dark, still, and boring. You’d think two major wars would liven things up in the public imagination, but interesting things apparently happened to boring, colorless people. We know the world was forgettable and not quite real. Soldiers in 1916 marched jerkily and too quickly, and for whole decades people waved a lot but could not speak. If they were lucky, they got captions. We’ve got movies of this, we know how life was then. In 1900 it was even worse, as whole families of sepia shadow-people sat endlessly in parlors in their best clothes. Even beautiful women had an unhealthy grayness to their skin, and a complete lack of fashion sense running entirely to blacks and grays. Winston Churchill might have had some color to him if it hadn’t been for all the stress of the war, but even he succumbed to bloodless pallor.

Yes, I believe Boomers really think this way. We're dumb like that

 

Floridians riding the half-taxis through Madame Tussaud’s in London encounter history as they know it: A series of romantic kings had wars with cool costumes. Next, everyone was poor and disease-ridden (but colorful) until the Great Fire of London. Then all of present-day London was built, including the Underground, and loud machines started doing work. In the 1800’s England conquered the world while wearing more cool costumes. But as Queen Victoria aged she turned gray and wore black, and the whole world followed suit. Our own history jibes with this, we just add a frontier and a colorful revolution[2]. Americans actually had the first colorless war in 1860, but we don’t expect anyone but us to remember that. Colorful peasants all over Europe were transformed into black-and-white slum dwellers in American cities in the late 19^th C; honest and hardworking but poor, finally able to open fruitstands and restaurants, a privilege denied them in Europe, apparently. Eventually the fruit turned gray, but they became prosperous anyhow.

Fortunately, in the 1960’s people regained their color. The lights came on and they became interesting and went to parties and had fun, which their parents and grandparents had been unable to do. Oh they had tried, of course, but they had boring fun. We know this. We have the pictures, and pictures don’t lie. Even the old people came around and agreed with this eventually, because when they looked at the photos they saw clearly how much more alive they were in 1970 than they had been in 1950. We Boomers still congratulate ourselves about this. Scholars now believe the Beatles should get credit for this, as they started out in black-and-white but learned to appear in color (colour, actually) and thus became rich and famous. Other popular musicians followed suit, and professional athletes followed. The Green Bay Packers were the first team to actually wear colors, rather than just say they had colors. Folks, we’ve got the pictures, don’t contradict me on this. The Colts played the Giants in black-and-white, and were black-and-white, in an era of moral (snigger) simplicity.

The Reduced Shakespeare Company – late boomers all – in the "Condensed History of America" openly admitted that they skipped history from 1880 until the war because it was boring. Two world wars got only passing notice. They invested their time in a 1950’s sendup done in stark lighting and black-and-white(!) costuming. Lucille Ball was there, but her hair wasn’t red. How could it have been? The world didn't have that color then. McCarthyism was mentioned, of course, because we love to congratulate ourselves on our moral superiority. How quaint to think of communists as evil and Americans as good.

However much the significance is overlooked, my observation is not original. Bill Waterson references the change in Calvin and Hobbes, capturing exactly the myth of how we perceive earlier generations. When National Geographic photographed Lake Wobegon only black and white film was used. Garrison Keillor himself provides the corrective in his story “Hog Slaughter,” a work of quiet power and one of his finest. “We believe it was a simpler time because we were children then, and our needs were looked after by others.”

A whole generation of Boomers on both sides of the Atlantic based its picture of history, and thus its social and political beliefs on an unrelated development: the improvement of color printing and color photography. We remember Nixon in black-and-white, Kennedy just barely in color. (John, Paul, George, and Ringo were probably influenced by this.) But Milhous never shed this image even after becoming president. He seemed hand-tinted rather than living color, even in 1980. The movie Pleasantville should have given it away, especially to a generation whose shared cultural icon was watching black-and-white Kansas change to colorful Oz. But that heavy-handed symbolism went well with our mental furniture, and we simply fit it in unnoticed. I mean, that's how those benighted people in the 50's were, right? Not like us.

Not to be too deconstructionist about it, but the similar words in the phrases “black and white morality” and “black and white photography” signify a deeper conceptual relationship. Oh man, that’s heavy. It’s like on the cover of Sgt. Pepper…

A social worker I once worked with was fond of saying “Things aren’t black and white.” She often went on to add “It’s not like Ozzie and Harriet where everything is solved in half an hour.” I didn’t note the juxtaposition at the time, but now estimate I’ve been hearing similar things for decades, just under my radar.

Moral relativity was not taught to us intellectually by Kafka, but accidentally by Kodak. Because the moral simplicity of our own childhood is recorded in black and white, we assume all the others in the photos were equally simple. Isn’t it great to live in more advanced times?

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[2] Several presidents nearly shared this fate by being put on money. James Madison was sort of greenish, but I still can believe Dolly had peachy skin and auburn hair.