David Foster has a new substack post "Destroying the Passwords," about the erasure of history from a culture, starting with the example of the the Bank of England's banknotes and discussing the larger implications for societies as a whole. It will no longer be using historical figures - neither traditional nor woke ones - but will feature scenes of wildlife and landscapes.
Because what we are witnessing today is not a debate about the design of banknotes. It’s part of something much deeper and more insidious: a slow but relentless erosion of our national culture, identity, and sense of collective memory. As I wrote nearly two years ago, across the West we are now living through what Professor Frank Furedi has called the ‘War Against the Past’.
Increasingly, a loose alliance of bureaucrats in thrall to the ‘Diversity, Inclusion, and Equality’ agenda, radical left activists, and compliant public institutions are pursuing a cultural project that seeks to delegitimise our history and heritage, and strip away the symbols that once anchored our sense of collective identity and memory. The pattern is now familiar. Statues are toppled. Historical figures are reframed as morally suspect or “divisive”. Public institutions rename their buildings, spaces, even London Tube lines.
I thought immediately of CS Lewis in The Abolition of Man and his discussion of the Last Men.
And if, as is almost certain, the age which had thus attained maximum power over posterity were also the age most emancipated from tradition, it would be engaged in reducing the power of its predecessors almost as drastically as that of its successors. And we must also remember that, quite apart from this, the later a generation comes — the nearer it lives to that date at which the species becomes extinct — the less power it will have in the forward direction, because its subjects will be so few. There is therefore no question of a power vested in the race as a whole steadily growing as long as the race survives. The last men, far from being the heirs of power, will be of all men most subject to the dead hand of the great planners and conditioners and will themselves exercise least power upon the future...
...but even within this master generation (itself an infinitesimal minority of the species) the power will be exercised by a minority smaller still. Man’s conquest of Nature, if the dreams of some scientific planners are realized, means the rule of a few hundreds of men over billions upon billions of men.
As well as George Orwell's words in the mouth of Winston Smith in Nineteen Eighty-Four
Who controls the past, controls the future: who controls the present, controls the past… The mutability of the past is the central tenet of Ingsoc. Past events, it is argued, have no objective existence, but survive only in written records and in human memories. The past is whatever the records and the memories agree upon. And since the Party is in full control of all records, and in equally full control of the minds of its members, it follows that the past is whatever the Party chooses to make it.
It is frankly unnerving that the atheist and Christian writing at the same time agree on so much that is worrisome about the future of mankind - and that is looks prescient still.
People who will let their minds be dominated find that everything else will be dominated as well.
ReplyDeleteGoogle is now paying $300 to $500 per hour for doing work online work from home. Last paycheck of me said that $20537 from this easy and simple job. Its amazing and earns are awesome. No boss, full time freedom and earnings are in front of you. This job is just awesome. Every person can makes income online with google easily….
ReplyDelete.
Visit This………......…… https://Cash430.blogspot.Com
Recent additions to the population are alienated by images of historical figures and commemorations of historical events. It seems that this alienation increases as more time passes and the foreigners become more foreign. The grandson of a Pole who immigrated in 1900 could imagine that a 1950s cowboy movie represented his heritage, but the daughter of a Pakistani who emigrated in 2010 cannot imagine that she sees her forbear in Betsy Ross. A multicultural empire must erase its history because its history is not multicultural. This trend started long ago in public art, which abandoned heroes for abstract shapes and sentimentality. No one will ever topple one of these meaningless monuments, but no one would complain if they did.
ReplyDelete