I left out one of the better examples. Gladwell reports on a psychobiography
of Elvis that explores why he consistently forgot the the words to the bridge
of “Are You Lonesome Tonight?” First of all, “psychobiography?” Never heard of
it in 40 years working at a psychiatric hospital. Sounds like some Freudian thing. I couldn’t
look it up, being face down and all, but it was confirmed a few sentences later
when he spoke of going to the office of the New York Psychoanalytic Society. I
am of the belief that Freud set the field of psychiatry back a century, and it
is has still not quite recovered, so these will not be thinkers that I find
reliable in any way. Witch doctors, I’m telling you. (Though witch doctors do
have their uses.)
The explanation was elaborate, including the death of his
mother, some of his sexual weirdness, and his betrayal by Priscilla. All of this combines to the theory that this
repeated mistake is a parapraxis , a Freudian slip, deeply meaningful and revealing.
Let’s not make things too difficult here, Malcolm. Song
lyrics are much easier to memorise than spoken lines, which is why people who
wish to memorise scripture find that method easier. It may be why music exists
at all. Remembering the lyrics but faltering at the bridge is not
surprising. Once any mistake has been
made it is easier to make the same mistake again – in typing, in dancing, in
anything. Secondly, welling feelings of emotion interfere with memory anyway. So, yes, associating that spoken bridge with
Priscilla might prompt strong emotions, rendering him less able to focus on
remembering words. I don’t see that as
having enormous psychological meaning.
I was musing on your post about habit/guilt, and it struck me that the rule of thumb that it takes x number of days to make or break a habit is probably BSfor the exact reason you bring up here. Any musician knows that once you play something wrong once it takes concentrated effort to correct it.
ReplyDelete