Sunday, June 21, 2020

Black-and-White Photography/Morality

My one great, but entirely unnoticed, contribution to understanding late 20th C culture was to bring to awareness the unconscious association between black-and-white photography and black-and-white morality, written early in my blogging career.  As a new McCarthyism is increasingly normative for public discourse, I would appreciate it if you could all pass along to the artistic types who are your friends that using the metaphor of B&W photography to describe Critical Theory and all its cousins is now back up for grabs again.

I include, of course, all the milk-and-water descendants of Theory who pretend they aren't, really, because they wear fig leaves and aren't violent themselves. Their speeches should be converted to black-and-white film as well. 

6 comments:

  1. Someone overheard a group of kids in the Holocaust Museum commenting that it didn't seem real because all the pictures were in black & white/

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  2. Good evidence for my point. Thanks.

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  3. If I remember my college film class correctly, Oz was shot in color to emphasize it was a dream sequence. In Dorothy's case the real world was black and white, like the news reels.

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  4. In the Russian movie 'The Dawns Here Are Quiet', the events in the movie's real time are shown in black & white, the flashbacks to earlier times are in color.

    https://chicagoboyz.net/archives/63022.html

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  5. Wrong word alert:
    the unconscious association between black-and-white morality and black-and-white morality,

    I'm thinking that as it links to an article subtitled Black & White Photography Creates The Illusion Of Black & White Morality, that one of those moralities is a photography

    Douglas2

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